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studio


Mark's Studio


"The equipment list is too numerous to mention it all but, I'll give the main highlights:


I'm running Cubase 4.
I have a Mackie Control Universal Pro and two Extender Pros for 24 moving faders of mixing (unlimited if you factor in the layers).
I have a UAD-1 express card. I have the UAD Fairchild Compressor/Limiter, Pultec-Pro EQ, Neve 1073 EQ, Neve 88RS Channel Strip, Neve 33609 compressor, DBX VCU compressor and the Helios 69 EQ (as well as other UAD plugins)
Chandler/Abbey Road TG12413 Compressor/Limiter
Nomad LM-662 Fairchild Compressor/Limiter
Waves Renaissance Compressor and EQ
IK Multimedia Classik Studio Reverb, ARC room correction software and T-Racks Mastering Software (I use Sony Sound Forge with iZotope mastering software to master along with T-racks and Waves)
Altiverb 6
In the Hardware Rack, among other things, I have Presonus FireStudio and DIGIMAX fs as my audio interface. I have numerous stand alone mic pres from Presonus, Studio Projects and ART.
My main hardware channel strips are:
First and foremost my Universal Audio LA-610
Joemeek VC1Q and a Focusrite Platinum Twintrack Pro
For outboard effects I have (among others) a Kurzweil Rumour, a Lexicon MX200, two Behringer V-Verbs and a Rocktron Intellifex
I monitor with:
KRK Rokit 8 powered monitors, Event BAS 20/20 powered monitors and vintage JBL L36 passive monitors powered by a vintage Marantz 2275 receiver.
I also have a pair of Pyramid and a pair of JVC very small passive monitors run by a harmon-kardon hk490i
I have many more plugins and hardware units but, these are the things I use the most.
Also, I master on a separate computer and monitor with the Blue Sky EXO 2.1 system as well as KRK V4 powered monitors, using an SM Audio M-Patch to control Volume and switch between them. I also use a pair of vintage Pioneer HPM-40 speakers, which are very much like the JBL L36 monitors, and I run them with a vintage European Sansui 790 Receiver.

Main Vocal Microphone

Soundeluxe e251c tube microphone.
It is a cardiod only recreation of a Telefunken Elam 251. I have many mics (including an AKG 414, two Studio Projects C1 mics, an Audio-Technica 4060 tube mic, 3 Cascade ribbon mics, 5 Nady RSM-4 ribbon mics and various Shure, AKG, Rode and Audio Technica condenser and dynamic mics) but, the 251 is the ultimate sound for vocals. It's focused like a U47 but, has more top end definition. I have it running into a Universal-Audio LA-610 (Tube mic pre, EQ and LA2A compressor). It sounds amazing!
"

rack

 

mike
 

 

 

  Mark's Gear